Rebecca remember that wind
In 1953 Vicksburg, an F5 tornado tore through the hills, leaving behind not ruin but witness—one extraordinary ordinary woman remembered
The hill country above the Mississippi River had always been Vicksburg’s blessing and its curse. It was high ground—safe from the floods that swallowed Delta towns whole—but it was also a place of memory, heavy with the weight of things that refused to wash away. On those bluffs, the earth was red clay and river silt, fertile and treacherous both. Below, the Mississippi curved like a scar, the same river that had carried enslaved men south to the cotton fields, and Union gunboats north to victory.
From the high bluff above the river, Vicksburg looked eternal — the courthouse dome shining, the Confederate cemetery on the ridge, the monument to the lost cause standing proud in bronze defiance. But below, the city lived another life.
In 1953, the city carried the echo of siege. The war had ended ninety years before, but Vicksburg had never entirely recovered from surrender. Poverty clung to the hills. The white city rebuilt its monuments; the Black one rebuilt its houses. The divisions were topographical—white neighborhoods higher up, shaded and paved; Black neighborhoods lower, closer to the tracks and the river’s wet breath. What the soil didn’t take, the system did: wages, land, credit, hope.
In 1953, the Black population made up more than half of Vicksburg’s people. They were domestics, stevedores, field hands, porters, teachers, preachers. They worked in white kitchens, on rail lines, in schools where plaster peeled from the walls. They knew what it meant to be forgotten by every ledger but the Lord’s.
In the colored section of town, people still spoke of the river as if it were a relative — moody, dangerous, untrustworthy but beloved. It had taken and given in equal measure. When the flood of 1927 came, it had driven them from their homes and drowned their fields, and when the government came with relief checks and promises, it found a ready, desperate labor force to rebuild what the river had destroyed. The rhythm of survival never stopped: work, worship, repair, endure.
Rebecca White Monroe had been born near the turn of the century — 1895, according to the family Bible, though her mother, Jennie White, said she came sometime in the late 1880s. Her parents had migrated to Mississippi from Louisiana, drawn by the promise of work in the post-Reconstruction South — that thin illusion of progress dangled before Black families when freedom meant only the right to be poor under new names.
Jennie cooked for white families on Crawford Street. Rebecca grew up hearing the hush of adult voices when white men came to the door, the quick turn of the body into obedience. From her mother she learned silence — how to measure what could be said, what must never be said, and how to carry both without breaking.
As a young woman she bore a son, Randolph, by a boarder in her mother’s house — Jim Woodson, a man who left before the baby learned to walk. The gossip never quite left her, though no one said it out loud. Years later she married James Monroe, a sawmill man who worked hard and drank harder. They stayed together through habit and poverty, through the wars that took other men and the Depression that took what little security they had managed to find.
Randolph grew into a sharp-edged boy, fifteen years younger than his mother, older in anger than his years allowed. Children in the neighborhood thought him mean, but the truth was simpler: he had grown up in a house where words were heavy and love had to fight for space.
By 1953, James Monroe was gone. Rebecca was a widow. Randolph was grown and bitter, a man who argued with the preacher about everything from scripture to rent. Rebecca spent her days cleaning other people’s houses and her evenings sitting on her porch, watching the light change over the river. December had come in strange that year—unseasonably warm, the air too still.
It was there, in one of those wood-frame houses near Locust Street, that Rebecca was living on the morning the wind came. That Saturday morning, the sky did something it wasn’t supposed to do. It turned the color of iron, then blood. The birds fell silent. “Even the trees was praying,” one woman said later. The old folks called that kind of sky a warning.
The tornado formed just before five-thirty that evening, a black column descending on the Yazoo River valley and cutting straight toward Vicksburg. People heard it before they saw it—a low growl that deepened into something physical, something that pressed on the chest. The local paper would later call it “the freight train without tracks.”
When it hit, it came in pieces. Roofs tore away clean as paper lids. Telephone poles folded. A grocery store lifted into the air and vanished. Miss Gentry’s store lost its roof “like a hat,” and a man named Mister Ray was snatched from his porch mid-breath—his sardine tin still open beside him. The wind, someone said, “had judgment.”
In the Black neighborhoods near the lower slopes, houses were smaller and lighter. Many were built on blocks with no foundations at all. They went first. Rebecca’s house shuddered. She fell to the floor, clutching her shawl, whispering words her mother had taught her during another storm, half a lifetime ago: Lord, remember your child.
Outside, the Mississippi River itself seemed to move like a muscle. Men would later say they saw it rise and twist as if alive. The storm dragged the water upward, made it boil against the bluffs. To Rebecca it sounded like the earth tearing itself open.
Image: The Mississippi River near Vicksburg, Mississippi. Photographer: Michael Manning, Physical Scientist. Source: Lower Mississippi-Gulf Water Science Center, US Geological Surveys.
When the wind passed, silence fell so complete it felt wrong. The air smelled of pine and iron. Smoke rose from the hills. The city, or what was left of it, began to stagger to its feet. The official count would say 38 dead, 270 injured, but in the neighborhoods where no reporters came, the dead went uncounted.
The Red Cross trucks went first to the white districts. The city’s colored hospital overflowed, the nurses working through the night. Rebecca and her neighbors walked the streets looking for faces they recognized, stepping over power lines, boards, tin, and toys. Children cried for mothers buried under houses. And when the state insurance men arrived days later with their clipboards and clauses, most families had no policies to show—only proof of loss too familiar to matter.
Vicksburg Sunday Post-Herald the day after the F5 Vicksburg tornado showing the extreme damage the twister caused. Children are being dug out of debris of what was a theater.
But they rebuilt, as they always had. A carpenter named Earl fixed what he could, patching walls with mismatched wood. Church ladies brought food and hymnbooks. The First Baptist congregation met under a tree until someone found the money for a new roof. And every evening, when the work was done, the old women sat together on the surviving porches, talking about that day.
They didn’t call it the tornado. They called it that wind.
“Child, that wind come looking for us,” Rebecca said once, “and missed.”
Image: A whirlwind on land. Illustration for Cent Tableaux de Science Pittoresque by Albert-Levy (Hachette, 1883). Digitally colorized.
The story passed from porch to porch, from memory to myth. The wind had come for them, but they were still there. And in their telling, survival itself became a kind of triumph.
In the years that followed, Vicksburg changed less than it appeared to. Segregation still ruled the schools, the restaurants, the bus seats. White businesses rebuilt faster; Black homes were repaired in pieces. Yet the storm had done something invisible: it had made witnesses of women who had long been silent. They had seen power itself—raw, impartial, and unanswerable—and they understood, perhaps better than anyone, how fragile the world really was.
Rebecca lived another twenty-three years. She saw the old racial order start to crack but never quite break. She saw Randolph age into the same bitterness that had marked his youth. By the time she died, in 1976, her world had folded back on itself: Jim Crow dying slow, the city rebuilt but never right, the river still moving below like memory itself.
And yet Rebecca White Monroe had outlasted them all—the flood, the war, the storm, the century that had tried to claim her more than once.
In the late 1970s, after she was gone, the younger women still told her story on summer nights. They would sit on porches, the air thick with magnolia and memory, and one might say, “Rebecca remember that wind?” It was half question, half invocation.
Images: Vicksburg City Cemetery. Source : Find a Grave.
They meant the storm, yes. But they also meant the years.
For the women of Vicksburg, the wind was never just weather. It was the breath of history itself—violent, indiscriminate, and unforgettable. It had come down from the sky like judgment and left them standing, changed but not broken, living proof that endurance could be its own form of power.
That was the story they kept: of a city that never stopped surviving, of a woman who had learned to read the sky, of the wind that came looking and missed.
And in that story—told again and again on the hills above the river—the past still breathed, whispering through the trees that once bent in prayer.
Helpful Sources
National Weather Service, “NWS Jackson, MS—December 5, 1953 Vicksburg Tornado,” National Oceanic and Atmospheric Administration, accessed October 25, 2025, https://www.weather.gov/jan/1953_vicksburgto
Narramore, Jen. “Vicksburg, MS F5 Tornado – December 5, 1953.” Tornado Talk, December 5, 2023. Accessed October 25, 2025. https://www.tornadotalk.com/vicksburg-ms-f5-tornado-december-5-1953/.
1953 Vicksburg Tornado.” Wikipedia. Last modified September 12, 2025. Accessed October 25, 2025. https://en.wikipedia.org/wiki/1953_Vicksburg_tornado.
Oakes, Pat and Meloakes. “Vicksburg Tornado 1953.” Pat and Mel Oakes Family Site. Accessed October 25, 2025. https://patandmeloakes.com/VicksburgTornado1953.html.
“The 1953 Tornado Memorial,” Historical Marker Database, accessed October 25, 2025, https://www.hmdb.org/m.asp?m=163000.









Thank you for this article. Beautiful, sad, encouraging in its dismal recognitions of life.
but especially the beauty and terror of the line, "the wind has judgement"; the earth has judgement too. And it may not be kind to men who think they can ignore its wrath.
I thought of everyone in this stunningly beautiful piece—my maternal grandmother who was born in 1886 and who survived the Atlanta Race Riot of 1906 when she was a coed at Clark College. I thought of Kamala when she wrote she was in that room with all of those Black women. “It was us,” she wrote. The love in that space meant her armor could come off. I lost it when she wrote that the moment she left that room that was filled with “us” that she knew she would have to put her armor back on. Black women endure.